Antony ButtsDocumentary filmmaker, camera operator and futuristLet’s talk

Antony Butts.
Filmmaker and futurist.

I find the idea in a technological or social change, the situation in the idea, and the story in the situation. Then I bring it to futures work, documentaries and writers’ rooms.

I’ve lived for a year on a former Soviet nuclear test site, followed the people building a separatist administration in Donetsk, and spent five years developing future scenarios and strategic games at Dstl, the UK Ministry of Defence’s science laboratory.

I connect unfamiliar possibilities to ordinary motives. Who would want this? What would persuade others to join in? How could it become normal, and what would living with it mean?

For After the Apocalypse, I spent a year living in communities on Kazakhstan’s former nuclear test site. In DIY Country, sustained access to the people building the Donetsk People’s Republic let me follow the friendships, ambitions and power struggles through which a new political order took shape.

I’ve filmed and directed more than 25 broadcast documentaries, alongside commissioned work for Save the Children and Greenpeace. Four years in Russia, a year in Kyrgyzstan and a year on the test site, all working in Russian, taught me to stay long enough for people to become themselves in front of the camera.

Close collaboration with NGOs also runs through my broadcast documentaries, including Kidnapped Brides in Kyrgyzstan and Ukraine’s Lost Children.

My recent filming work includes bespoke client commissions.

My work in West Africa includes research in Mali on farmer-managed natural regeneration (FMNR) in the Sahel. I developed an agent-based model of how the practice spreads and presented it at Beating Famine Sahel in Bamako in 2019.

In foresight, I develop scenarios, design fiction and exercises that explore how technologies and social changes could produce new ways of living: who benefits, who pays, who becomes dependent, and how the arrangement changes as it spreads. At Dstl, I designed and facilitated strategic games for government and NATO audiences, co-developed and taught foresight methods, and worked on future trends. I’ve also written 30,000 words for the reports of the MoD’s Futures Centre.

I studied physics at Imperial College and Russian at Moscow State University, worked in credit derivatives at Financial Security Assurance and RBS, and took an MSc in Security Studies at UCL while making films. I’m also a quantitative modeller: statistics, system dynamics and agent-based modelling, at Dstl and in private consultancy. Based in Hastings, UK; working internationally, in English and Russian.

Ideas developed into work.

Futures and wargaming

Dstl and FATE.

Five years developing future concepts, scenarios and strategic games for UK government and NATO audiences. I co-developed FATE (Futures Assessed alongside socio-Technical Evolutions) and taught it on NATO’s lecture series in the UK and the US.

The rest is classified. The futures on this site were built in public to show how I think; none of them discloses that work.

NATO educational notes (PDF) (opens in a new tab)

Story, film and decisions

Balance of Power.

An interactive film and serious policy game on the future energy system, commissioned by USEF from RANJ. I conceived, wrote and directed it. Energy Institute Public Engagement Award, 2019.

Explore the project

Games from fieldwork

The Many Lives of “Lenin”.

A simulation game of the war in Donbas, built from my documentary research and presented at the Danyliw Research Seminar, University of Ottawa, in 2018.

Seminar page (opens in a new tab)

Research in West Africa

FMNR in Mali: regreening the Sahel.

Research in Mali on farmer-managed natural regeneration (FMNR), including an agent-based model of how the practice spreads, presented at Beating Famine Sahel in Bamako in 2019.

Talk about this work

Awards, nominations and festivals.

2019

Energy Institute Awards: Public Engagement winner

Balance of Power, commissioned by USEF from RANJ. Writer and director.

2018

Open City Documentary Festival: Border Crossings second prize

The Affordability Game, a game about the future of housing, with Paul Honeybone. Co-creator.

2016

Hot Docs: world premiere, World Showcase

DIY Country. Director, co-producer and cinematographer. Taught on the Ukrainian studies course at Sciences Po.

2015

Docudays UA: opening film

The Donetsk People’s Republic (or the Curious Tale of the Handmade Country). Director. UK premiere at the Frontline Club.

2014

Artdocfest: Jury Special Mention

The Donetsk People’s Republic. Director.

2014

Emmy, Outstanding Informational Series or Special

VICE on HBO, season 2. Field producer, Genetic Passport.

2013–15

Sundance Special Jury Award, BIFA Best Documentary, Broadcast Award, Oscar shortlist

Pussy Riot: A Punk Prayer. Director of photography.

2010–11

Wellcome Collection cinema release award

After the Apocalypse. Director and cinematographer. UK cinema release and More4 for Channel 4; taught on bioethics courses at several universities.

2010–11

Festivals and nominations

After the Apocalypse: world premiere at Sheffield Doc/Fest; Hot Docs; DMZ Docs opening film and international competition; nominated for Zurich Film Festival’s Golden Eye, a One World Media Award and the WATCH DOCS Award.

2010

Amnesty International UK Media Awards: winner, International Television & Radio

Ingushetia: A Second Chechnya?, People & Power, Al Jazeera English. Reporter and co-producer; joint winner with Dom Rotheroe and Mike Chamberlain.

What the critics said.

“One of the most important and valuable films of the year”
Evening Standard, four starsAfter the Apocalypse
“Devastating”
The Times, four starsAfter the Apocalypse
“Compelling and indelibly disturbing”
Empire, four starsAfter the Apocalypse
“Impressive and disturbing”
Time OutAfter the Apocalypse
“A must-see”
TéléramaDIY Country
“Captivating and profoundly dismaying”
The Washington PostPussy Riot: A Punk Prayer

Speaking and screenings.

  • Chatham House and Ministry of Defence forums
  • NATO lecture series, UK and USTeaching FATE, the foresight method I co-developed.
  • Danyliw Research Seminar, University of Ottawa, 2018The Many Lives of “Lenin”: a simulation game of the war in Donbas.
  • Danyliw Research Seminar, University of Ottawa, 2016DIY Country: screening and Q&A.
  • Cambridge University Ukrainian Society, Clare CollegeDIY Country: screening and Q&A with representatives of displaced Ukrainian universities.
  • Frontline Club and Open City Docs, London, 2015Documenting Ukraine: UK premiere screening and panel.
  • Beating Famine Sahel, Bamako, 2019Modelling where early support could spread farmer-managed natural regeneration furthest.
  • Electric Palace, HastingsDIY Country: fundraising screening for Ukraine, with Q&A.

Talks I give.

  • The robots that make you leaveWhy the next robot war may be fought with nuisance rather than killing, and what that does to sovereignty.
  • Your country needs your granHow to find the futures your strategy leaves out, and build them until they look obvious.
  • Archaeology of the presentNobody designed the world you live in. How millions of local fixes became the system.
  • What close observation reveals about powerWhat filming people inside political and social change taught me.
  • Exploring decisions through experienceScenarios, design fiction and games that make consequences tangible.

Photos for programmes and press.

For conference programmes, festival listings and articles. Full-size files, ready to print.

Antony Butts in a navy check blazer against a dark blue backdrop
Navy blazerDownload full size
Antony Butts in a brown felt fedora and field jacket, smiling at the camera
Fedora, smilingDownload full size
Antony Butts in a dark jacket against a near-black backdrop
Dark studioDownload full size

Who I’ve worked with and for.

Tell me what you’re trying to figure out.

A subject, a technology, a brief, or something you can’t quite put your finger on yet. A few lines is enough.

Start the conversation